民族音乐中典型文化的“释放”与“升华”  

"Release" and "Sublimation" of Typical Culture in Folk Music

作　　者：王今 WANG Jin(Shandong University,School of Literature,Jinan,Shandong 250100,China)

机构地区：[1]山东大学文学院,山东济南250100

出　　处：《贵州民族研究》2019年第3期125-128,共4页Guizhou Ethnic Studies

基　　金：2016年国家社科基金预研项目"柳琴戏音乐文化与价值研究"(项目编号:16YY08);2012年国家社科基金艺术学项目"中国演艺产业运营策略研究"(项目编号:12CH105)的阶段性成果

摘　　要：少数民族音乐作为民族文化的艺术性浓缩,成为外界透视少数民族文化的窗口。同汉族音乐天然奢靡所不同的是民族音乐以群体性司空见惯的活动为载体即兴而起,演绎着民族社会形态的荟萃。当然披着朴素外纱的民族音乐却以其独特的形式涵养着典型民族文化的精髓。探究民族音乐不仅是音乐框架下的艺术性审美而是民族音乐典型文化的释放与升华,同时也是全面深究民族音乐艺术助力少数民族地区社会主义精神文明建设的必然。As an enrichment of national culture, minority music has become the window of the outside world to see the minority culture. What is different from the natural extravagance of Han music is that national music is improvised from the mass and common activities, and demonstrates the meta-National Social patterns. Of course, the national music in plain cloth is the quintessence of typical national culture. Explore folk music is not only music under the framework of the artistic aesthetic but national music culture typical release and sublimation, inevitable also is the comprehensive construction of the national music art to help ethnic areas of socialist spiritual civilization.

关 键 词：民族音乐 典型文化 释放 升华 

分 类 号：J607[艺术—音乐]