共和国文学范式的建立——以《人民日报》朝鲜战争文学文献为样本  

The Establishment of the Literary Paradigm of the Republic:Taking the Korean War Literature Documents of People's Daily as a Sample

作　　者：常彬[1] 邵海伦 CHANG Bin;SHAO Hai-lun

机构地区：[1]华侨大学文学院

出　　处：《吉林大学社会科学学报》2019年第3期208-218,224,共12页Jilin University Journal Social Sciences Edition

基　　金：国家社会科学基金项目(17BZW032)

摘　　要：作为"共和国文学"的开篇之作,20世纪50年代中国朝鲜战争文学继承了战争年代的文学传统,以极其有效的举国体制,紧急应对民族生存面临的危机挑战,在抗美援朝问题上形成了第一条庞大的文学生产线以及覆盖面广、影响力大的传播体系。作为新中国权威声音的《人民日报》,大量刊载朝鲜战争文学作品,以累积式的文学范例生成共和国文学范式,以同一性取消个体性的文学观念形塑、规约作家创作,与《人民文学》《文艺报》等主流报刊形成体制化的"集团军"效应。同构性前提下作家身份的政治考量与作品刊用的选择性差异,决定其在共和国文学建构中的作用和分量。As the opening work of “Republic Literature”, the Korean War Literature of China in the 1950s inherited the literary tradition of the war years. With an extremely effective national system, it urgently responded to the crisis and challenges faced by the national survival. It formed the first huge literary production line and a wide-ranging and influential dissemination system on the issue of resisting the United States and aiding the DPRK. People’s Daily, as the authoritative voice of New China, published a large number of Korean War literary works, generated Republican literary paradigm by accumulative literary samples, shaped and regulated writers' creation by canceling individuality literary concept with identity, and forms a systematic “group army” effect with main stream n ewspapers such as People' s Literature and Literature & Art Magazine. Under the premise of isomorphism, the difference between the political consideration of the writer’s identity and the selectivity of publishing works determined the role and weight of the writer himself in the construction of the Republic' s literature.

关 键 词：共和国文学范式 《人民日报》 朝鲜战争 战争文学 

分 类 号：I206.7[文学—中国文学]