文化意象与民族文化精神构建——南永前图腾诗的意象研究  被引量:2

Imagery Study of Nan Yongqian’s Totem Poems

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作  者:苏静[1] 黄达安[2] SU Jing;HUANG Da-an(College of Literature,Jilin University,Changchun,Jilin 130012,China;School of Journalism and Communication,Guangxi University,Nanning,Guangxi 530004,China)

机构地区:[1]吉林大学文学院,吉林长春130012 [2]广西大学新闻传播学院,广西南宁530004

出  处:《石家庄学院学报》2019年第4期94-98,共5页Journal of Shijiazhuang University

基  金:国家社会科学基金项目(13BZW162);吉林省社会科学基金项目(2013BS31)

摘  要:南永前是我国当代著名的朝鲜族诗人,其图腾诗以原始文化意象———图腾入诗,实现了个体情感与集体情感的交融,体现了诗人对民族历史命运和现代文明的反思。南永前图腾诗通过对一系列图腾意象的营构,在思想内涵和表现形式上突破了咏物诗的传统书写,凸显了图腾诗作为一种诗歌题材的独特精神内涵及审美形式,而这也正是少数民族诗歌中“南永前现象”的意义和价值所在。As a famous Korean poet in contemporary China,Nan Yongqian's totem poems realize the blending of individual emotions and collective emotions,and reflect the poet's reflection on the national historical destiny and modern civilization taking the original cultural image---totem into the theme of his poems.Through the shaping of a series of totem images,Nan Yongqian's totem poems break through the traditional writing of object-chanting poems in terms of ideological connotation and expressive form and highlight totem poems'spiritual connotation and the aesthetic forms as a subject of poetry,which is also the meaning and value of"Nan Yongqian phenomenon"in minority poetry.

关 键 词:南永前 图腾诗 意象 咏物诗 

分 类 号:I207.25[文学—中国文学]

 

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