从启蒙使者到纯爱异托邦——当代中国电影中的自行车  

From the Messenger of Enlightenment to the Heterotopia of Truelove:The Bicycle in the New Period Chinese Films

作　　者：杨宇静[1] Yang Yujing

机构地区：[1]南开大学文学院

出　　处：《文化研究》2018年第4期291-305,共15页Cultural Studies

摘　　要：自行车是当代电影中的常见意象,不同时期电影表征自行车的方式有意无意间透露出不同时代的文化秘密。分析电影中的自行车可以发现,20世纪80年代自行车承载了科技进步、现代文明、启蒙冲动、民族主义等丰富复杂的内容;90年代后自行车却常常和小人物的理想幻灭、坎坷命运相联系;近几年自行车被打造为纯爱、浪漫、唯美的意象。自行车在电影中的形象变化透露出启蒙思潮的勃兴与消失,商品经济的酝酿与崛起,消费主义的围困与压抑,阶级分层从松动到加固,青年文化从兴盛到衰退等时代变迁的步伐。The bicycle is a common image in contemporary Chinese film. The ways to represent bicycle of each periods films reveal the period s cultural secret. Analyzing the bicycle in film, we can find that in 1980s bicycle signifies scientific development, modern civilization, impulsion of enlightenment, nationalism and so on;after 1990s bicycle is always connected with the low class disillusionment and rough fate;recently bicycle has been always as image of truelove, romantic story. Bicycle s image changing in film reveals flourish and disappearing of enlightenment, commodity economy s brewing and rising, consumerist besieging and repression,social stratification becoming firm, youth cultural recession.

关 键 词：自行车 新时期中国电影 启蒙 异托邦 青年 

分 类 号：J909.2[艺术—电影电视艺术]