“十诠”之法与冯复京诗歌创作论  

“Ten Interpretations” and Feng Fu-jing’ Creative Theory of Poems

作　　者：丁远芳[1,2] DING Yuan-fang(Anqing Broadcast and TV University Anqing 246003,China;School of Literature,Anqing Normal University Anqing 246133,China)

机构地区：[1]安庆广播电视大学 [2]安庆师范大学文学院

出　　处：《遵义师范学院学报》2019年第3期81-85,共5页Journal of Zunyi Normal University

摘　　要：冯复京在《说诗补遗》中提出诗歌创作"十诠"之法,是明代诗学理论的重要组成部分。他要求创作主体须博学多闻、量才适体,"达才""养气";在艺术创作构思上,注重"构意"和"澄神";在诗歌声韵要求上,遵循诗歌"标韵""和声"法则;在诗歌语言方面,强调"藻饰"和"植骨"的辩证统一;而在诗歌品读和审美接受上以"会趣""芳味"论之,追求自然天成与内在的活力生趣、情理韵致相统一的诗歌审美风范。Feng Fu-jing put forward the method of "Ten Interpretations" of poetic creation in the Supplement to Poetic Interpretations, which is an important part of the poetics theory of Ming Dynasty. He demanded that the creative subject should be erudite, creative and calm;he paid attention to"meaning formation" and Mclarifying spirit" in artistic creation, followed the law of "rhyme" and "harmony" in poetic rhyme. In terms of poetic language, he emphasizes the dialectical unity of "Embellishment" and "spirits";and in the reading and aesthetic acceptance of poetry, he stressed the "Interest" and "Effect", and pursued the aesthetic style of poetry in the unity of natural formation and internal vitality interest, reason and rhyme.

关 键 词：冯复京 《说诗补遗》 “十诠”之法 诗歌创作论 

分 类 号：I206.2[文学—中国文学]