汉代民间宗教市场及其社会整合作用研究——以出土宗教题材汉画的生产消费为中心  

Study on Folk Religious Market and its Role in Social Integration during Han Dynasty——Based on the production and consumption of unearthed Han stone painting with religious subjects

作　　者：刘克[1] LIU Ke(School of Literature and History,Nanyang Normal University,Nanyang 473061,China)

机构地区：[1]南阳师范学院中文系

出　　处：《青海师范大学学报（哲学社会科学版）》2019年第3期106-114,共9页Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社会科学基金项目“宗教题材汉画整理与汉代宗教生态研究”(14BZJ003)

摘　　要：宗教题材汉画反映了一般社会的宗教习俗和宗教意识,蕴藏有十分丰富的整合资源。社会道德内涵跟敬奉神灵具有密切关系。宗教题材汉画的生产与消费,不仅成功地实现了钱财在阶层之间的重新配置,而且有效地促进了亲情在代际之间的流动,在一定程度上为去观念分化、利益分化和社会分化奠定了基础。同时,借助宗教题材汉画墓建设上的攀比和竞争这种行为所带来的价值体验,家庭的慈孝友恭伦理和聚落的道德义理得以保存和再生。在民间宗教市场的整合下,宗教题材汉画所兼具的神圣与世俗双重属性,使得不同阶层、不同年龄、不同宗族的人都可以通过相关商品的生产、使用和参观而体验到居家生活的价值和意义。Reflecting the religious customs and consciousness in the society,Han stone painting with religious subjects contains rich integrated resources.Social morality connotation was closely related to god worshipping.The production and consumption of Han stone painting with religious subjects not only successsfully realized the reconfiguration of property among different social statuses,but also effectively promoted the transfer of kinship between generations,which laid solid foundation for differentation of ideas,interests and the whole society,At the meantime,due to value experience brought about by comparisons and competitions in building Han stone painted tombs with religious subjects,family ethics of compassion,filial piety and friendliness and tribal morality are preserved and revitalized.Through the integration of folk religious market,the holy and secular natures of Han stone painting with religious subjects enabled people from different social levels,age groups and tribes to experience the value and significance of family life through producing,using and visiting related products.

关 键 词：出土汉画 宗教产品 宗教消费 市场整合 

分 类 号：J196[艺术—艺术理论]