传承与发展——从《水之嬉戏》看印象主义钢琴演奏技法  

Inheritance and Development: Impressionist Piano Playing Techniques Examined from Chopin Etude to Jeux d’Eau

作　　者：李柯[1] LI Ke(Piano Department, Wuhan Conservatory of Music, Wuhan,Hubei 430060)

机构地区：[1]武汉音乐学院钢琴系

出　　处：《绍兴文理学院学报》2019年第11期48-55,共8页Journal of Shaoxing University

摘　　要：印象乐派是西方音乐史上一个融会东西、承前启后的重要音乐流派,其代表作曲家德彪西和拉威尔都曾作为优秀的钢琴家公开演出过。他们的钢琴作品不仅包含了独具特色的和声语汇,更创造出了一大批前所未有的钢琴演奏技法。从纯技巧的角度,通过拉威尔的《水之嬉戏》与肖邦的两套共二十四首钢琴练习曲之比较,探讨印象主义钢琴作品中丰富的演奏技法之缘起与拓展,并力图揭示完美达成这些技法的途径与津梁。Impressionism is an important music school in the history of Western music, which integrates the past and the future. Its representative composers Debussy and Ravel both performed in public as excellent pianists. With unique harmony vocabulary, their piano works exhibit a wide variety of unprecedented piano playing techniques. From the perspective of pure skills, this paper compares Ravel’s Jeux d’Eau with Chopin’s two sets of 24 piano etudes, explores the origin and development of the rich performing techniques in impressionist piano works, trying to reveal the ways and interface of perfectly achieving these techniques.

关 键 词：印象主义 拉威尔 肖邦 演奏技法 手指技巧 

分 类 号：J624.1[艺术—音乐]