以马头墙元素为例的当代建筑主题瓷绘批评研究  

A Critical Study of Porcelain Painting on Contemporary Architectural Theme : Taking Matou Wall as an Example

作　　者：龙洲 张玲霞[2] Long Zhou;Zhang Lingxia(Jingdezhen Ceramic Institute, Jingdezhen 333403, Jiangxi, China;Jiangxi Ceramic and Art Institute, Jingdezhen 333001, Jiangxi, China)

机构地区：[1]景德镇陶瓷大学,景德镇333403 [2]江西陶瓷工艺美术职业技术学院,景德镇333001

出　　处：《陶瓷研究》2019年第1期95-97,共3页Ceramic Studies

基　　金：2017年江西省社会科学规划项目“形、气、神范畴下的工艺美术批评模式研究”(17YS35)

摘　　要：建筑是当代陶瓷绘画艺术中重要的表现主题,马头墙作为古徽州最富特色的建筑形式,以其独特的样式与形态成为当下建筑瓷绘的经典元素。本文以马头墙元素瓷绘为例,对建筑主题瓷绘进行批评研究,总结出建筑瓷绘所遵循的整体性、灵活性和工艺性等原则,以及在审美形态、审美色彩、审美寓意、审美文化等方面所具有的重要批评价值。Architecture is an important expression theme in contemporary porcelain painting art. The Matou Wall is the most characteristic architectural form of ancient Huizhou architecture and its unique style and form had made it become a classic element of contemporary architectural porcelain painting. This paper will carry a critical research on the architectural theme porcelain painting with the example of Matou Wall, in order to sum up the principles for architectural porcelain paintings, such us integrity, flexibility and craftsmanship of architectural porcelain painting, as well as important values of criticism in various aspects, namely, aesthetic form, aesthetic color, aesthetic meaning and aesthetic culture.

关 键 词：陶瓷批评 建筑 马头墙 瓷绘 

分 类 号：J01[艺术—艺术理论]