明清苏作家具木雕装饰多维偏好分析  

Multidimensional Preference Analysis of Su-style Furniture Wood Carving in Ming and Qing Dynasties

作　　者：高伟霞 吴智慧[2] 余继宏 GAO Wei-xia;WU Zhi-hui;YU Ji-hong(Changshu Institute of Technology,Changshu 215500,China;Nanjing Forestry University,Nanjing 210037,China;Donghua University,Shanghai 200051,China)

机构地区：[1]常熟理工学院,常熟215500 [2]南京林业大学,南京210037 [3]东华大学,上海200051

出　　处：《林产工业》2019年第7期39-43,共5页China Forest Products Industry

基　　金：常熟理工学院校级科研项目(KYZ2017103Z);2018年江苏省高校哲学社会科学基金项目:明清苏作家具雕刻装饰技艺特征及其嬗变研究(2018SJA1373);2017国家社科基金重大项目“设计形态学”子项目《主观审美与客观量化结合的设计形态学评价机制研究》(17ZDA020);上海市设计学Ⅳ类高峰学科资助项目《家居时尚产品整体设计》(DB18202)

摘　　要：以传统家具和传统木建筑共生传承为出发点,基于《营造法式》和建筑木雕实物,提出明清苏作家具木雕装饰题材与部位、装饰题材与技法之间均存在偏好使用特性的假设,利用SPSS软件对明清苏作木雕样本库进行定量分析,从整体和局部两个角度,总结明清苏作家具木雕装饰题材与部位、装饰题材与技法之间具体的偏好程度及其差异。The traditional furniture and wood architecture symbiotic inheritance as the starting point, based on the Construction of French and wood carving objects, this paper put forward the hypothesis that there existed a preference between the decorative themes and parts, the subject matter and the techniques of the furniture in the Ming and Qing dynasties. After that, the quantitative analysis of the sample library of the Ming and Qing dynasties was carried out with SPSS software. Then, from the two angles of the whole and the part of the Ming and Qing dynasties, the degree of preference and its differences were summed up.

关 键 词：明清 苏作家具 木雕装饰 多维偏好 

分 类 号：TS664.1[轻工技术与工程]