李渔古琴与丝路文化——以陕西历史博物馆藏“芥子园主人题”款古琴为中心  

LI Yu’s Ancient Jean and Silk Road Culture:LI yu’s ancient jean collected in Shaanxi History Museum as the center

作　　者：王莉[1] WANG Li(Historical Museum of Shaanxi, Shaanxi 710061, Xi’an, China)

机构地区：[1]陕西历史博物馆

出　　处：《石河子大学学报（哲学社会科学版）》2019年第3期81-87,共7页Journal of Shihezi University(Philosophy and Social Sciences)

摘　　要：陕西历史博物馆藏“芥子园主人题”款古琴,原为栗色,面背后髹黑漆。琴背有金书、篆印,及多处分布之字迹印痕。以形制与相关铭文,应为清初之“名人琴”,即清代艺术家李渔之琴,是李渔居于“芥子园”时期之物,对研究清代戏曲艺术和作为琴家的李渔都有重要的学术价值。李渔及其作品早就走出国门,发生着世界性的影响。“芥子园主人”琴涉及诸多问题,如铭文辨识、署名考证、斫制时期等,为传世古琴之保护及古琴在丝绸之路沿线的传播提供了可供参考的实物证据。Shaanxi Museum of History has a collection of ‘Master of the Mustard Seed Garden’,which was originally painted with chestnut color and repainted with black color on its front and back. On the back of the piano are golden books,seals and handwriting marks distributed in many places. The shape and related inscriptions should be the“celebrity piano”of the early Qing Dynasty,that is,Li Yu,the artist of Qing Dynasty,which was in the period of “mustard garden”. It is of great academic value to study the art of opera in the Qing Dynasty and Li Yu as a pianist. Li Yu and his works have long been abroad and had a worldwide influence.‘Mustard Seed Garden Master’ Qin involves many problems, such as inscription identification,signature textual research, dynamite period,etc. it provides material evidence for the protection of ancient Qin handed down from generation to generation and the dissemination of ancient Qin along the Silk Road.

关 键 词：古琴 "芥子园主人题"款 李渔 丝路文化 

分 类 号：K875.5[历史地理—考古学及博物馆学]