花靥碎妆:西域妆饰习俗在唐代的流行现象  

Decals on the Face:the Popular Phenomenon of Western Makeup Custom in the Tang Dynasty

作　　者：张晓妍[1] ZHANG Xiao-yan

机构地区：[1]上海第二工业大学

出　　处：《时尚设计与工程》2016年第2期8-13,共6页The Journal of Fashion Design and Engineering

基　　金：2015年度上海市艺术科学规划项目<中国女性传统妆饰造型图像复原方法研究>(2015B02)

摘　　要：唐代流行的花靥妆是西域妆饰文化通过丝绸之路来到中国,在李唐王朝这个特殊的开放时代与中国传统文化融合,在中华大地上开花结果的独特现象。文章试将西域的习俗与唐代女性妆饰行为相联系,探讨丝绸之路贸易所带来的西域民俗与中国妆饰文化相融合的内在原因,以及它在中国传播的主要途径。Western makeup custom spread to China through the Silk Road.Combining with the traditional China makeup culture,“decals on the face”makeup custom 23 formed,which is very popular in the Tang dynasty.This paper will try to relate the western custom with the makeup behavior of women in the Tang Dynasty.The internal causes of integration between western custom,Chinese makeup culture which brought by silk road trad and the spreading way in China is explored.

关 键 词：花靥妆容 西域纹面习俗 西域乐舞 人口贸易 

分 类 号：TS974[轻工技术与工程]