朝鲜李朝对《登楼赋》的接受与辞赋创作  

The Acceptance of Denglou fu and the Creation of Cifu in the Li Dynasty of Korea

作　　者：刘思文[1] Liu Siwen

机构地区：[1]贵州师范大学文学院

出　　处：《国际汉学》2019年第2期176-182,207,共8页International Sinology

基　　金：国家社科基金青年项目“地域学派视野下方成珪考据学研究”(项目号:18CZS004)的资助

摘　　要：王粲《登楼赋》东传朝鲜半岛后,在朝鲜李朝时期尤受重视,被文人当作学习范本而传诵,并化用于作品中,涌现出多篇拟作。"王粲""仲宣""王粲赋""仲宣楼""登楼赋"等成为李朝文人作品中的常见意象,在李朝统一的特定历史时期,上升为一种抒发情感的深层次接受。《登楼赋》的广泛接受,促进了李朝抒情赋的发展,使抒情赋的内容和形式皆有拓展。Wang Can’s Denglou fu was especially valued in the period of the Li dynasty of Korea after it had spread to the Korean Peninsula.It was passed on by scholars as a model for learning and applied to their works."Wang Can""Zhongxuan""Wang Canfu""Zhongxuanlou""Dengloufu" became common images in the works of literati at that time.The wide acceptance of Denglou fu promoted the development of the lyric fu and extended it in both content and form in the specific historical period of the unification of the Li dynasty.

关 键 词：朝鲜李朝 《登楼赋》 经典接受 文献 

分 类 号：I222[文学—中国文学]