汪曾祺创作的道家文化精神  

Taoist Cultural Spirit in Wang Zengqi’s Creation

作　　者：翟文铖[1] 翟慕航 ZHAI Wen-cheng;ZHAI Mu-hang(College of Literature,Qufu Normal University,Qufu Shandong 273165,China;College of Literature,Central China Normal University,Wuhan 430079,China)

机构地区：[1]曲阜师范大学文学院,山东曲阜273165 [2]华中师范大学文学院,武汉430079

出　　处：《山东青年政治学院学报》2019年第4期102-109,共8页Journal of Shandong Youth University of Political Science

基　　金：国家社会科学基金后期资助项目“文化视阈中的汪曾祺研究”(13FZW040)

摘　　要：汪曾祺深受道家文化熏陶,他的作品流露出对道家社会人格、自然人格和艺术人格的整体性崇尚。他笔下的人物,有的从超脱世俗的追求、到适意放达的倾慕、再到人乐天乐的实现,显示了层次丰富的道家社会人格;有的对外讲究不慕名利、不为物役,对内追求少私寡欲、见素抱朴,拒绝异化,维护着人的天性,显示出道家的自然人格;有的以“守静”酝酿创作状态、以“神与物游”驰骋想象力、以“沉酣”激发创造力,显示了道家迷人的艺术人格。Wang-Zengqi is deeply influenced by Taoist culture,and his works show his love for Taoist social personality,natural personality and artistic personality. Some people get rid of the shackles of the secular world and achieve inner freedom,which shows the social personality of Taoism. Some people do not pursue fame and wealth, which shows the natural personality of Taoism. Some pursue psychological calm and rich imagination,which shows the charming artistic personality of Taoism.

关 键 词：汪曾祺 道家 社会人格 自然人格 艺术人格 

分 类 号：I206.7[文学—中国文学]