除魅与建构:歌德“天才观”探赜  

Disenchantment and Construction:Goethe’s View of Genius

作　　者：樊祥 FAN-Xiang(School of Chinese Language and Literature, Hunan Normal University, Changsha 410081, China)

机构地区：[1]湖南师范大学文学院

出　　处：《汉江师范学院学报》2019年第4期53-57,共5页Journal of Hanjiang Normal University

摘　　要："天才"(genius)是西方诗学史上重要的理论范畴.歌德对天才的体认经历一个"常"与"变"的转化摸索过程.若将这种转化置于特定的历史场域中考察,可以发现其对天才物质性、生理性及社会性等外在因素的强调都不同于以往的天才理论:其一,自身创作实践所积聚的客观经验从内部抵触古典神学体式的裹挟;其二,现实质素的陶染又消解着康德唯心式的天才论;由此既可管窥歌德天才理论的智性原创光芒,同时对我们理解天才观念的理论流变也具有重要的学理价值.Genius is an important theoretical category in the history of Western poetry,whose recognition of genius underwent a process of "constant" and "change".If we examine this transformation in a specific historical field,its emphasis on the external factors of genius,such as its materiality,physiology and society,are different from the previous theory of genius:firstly,the objective experience accumulated in its creative practice contradicts the bondage of classical theological form from the inside;secondly,the edification of realistic quality also dispels Kant’s idealistic genius theory;we can have a glimpse of the intellectual originality of Goethe’s theory of genius,and have important theoretical value to understand the theoretical evolution of the concept of genius.

关 键 词：歌德 天才 创造力 康德 

分 类 号：I01[文学—文学理论]