Obsession With Memory:Cinematic Remakes and Consumption to Aesthetic Violence  

作　　者：Johanna Gondar Hildenbrand Josaida de Oliveira Gondar 

机构地区：[1]Federal University of the State of Rio de Janeiro,Rio de Janeiro,Brazil

出　　处：《US-China Education Review(B)》2019年第2期41-46,共6页美中教育评论（B）

摘　　要：The aim of this paper is to first understand the reason for the increase in the production of cinematic remakes in the last decades,since the so-called“obsession for memory”in contemporaneity,to later establish a counterpoint between the remakes produced with Hollywood aesthetic standards and their films of origin that do not belong to the American film industry.This counterpoint will be made from the aesthetic form by which the images of Hollywood remakes,especially in the 21st century,are imposed authoritatively on the viewer.This means that we will analyze the exacerbation of aesthetic violence in the practice of this cinematographic genre and discuss the consumption of compulsory images in contemporary society,investigating the consequences that its imposition brings to the construction of our memory.

关 键 词：remake AESTHETICS cinema VIOLENCE MEMORY 

分 类 号：G4[文化科学—教育学]