博纳富瓦的文学创作述评  

Certain Comments on the Literary Creation of Bonnefoy

作　　者：唐毅[1,2] Tang Yi

机构地区：[1]兰州交通大学外国语学院 [2]上海师范大学

出　　处：《法语国家与地区研究（中法文）》2019年第3期70-78,93,共10页Etudes Francophones

摘　　要：博纳富瓦是法国当代文坛具有重要影响力的诗人、批评家和翻译家。六十多年的文字生涯使他的诗歌作品和诗学著述兼具深邃的历史感和深刻的思想性。他的诗歌创作反对形式和概念,富于音韵与节奏;他主张于“此在”与“现时”中发现生活和世界的丰富性;他在诗歌创作和文学译介中提倡保留一种诗意的“在场”。本文运用述评结合的方法,梳理博纳富瓦在前后两个创作时期的诗歌成就和诗学主张,力图比较全面地评介其“诗”、“评”、“译”三位一体的文学创作历程。Bonnefoy is a poet, critic and translator who has an important influence in contemporary French literary circles. Thanks to his sixty years of writing career, his poetry and poetic writing are imbued with a deep sense of history and thoughtprovoking. The poetry creations of Bonnefoy, shunning forms and concepts, are rich in phonology and rhythm. He advocates the discovery of the richness of life and the world in 《here》 and 《now》;and the preservation of the poetics of 《presence》 in poetry creation and literary translation. This article, through a combination of narration and comments, seeks to elaborate sort out Bonnefoy's poetry achievements and propositions in his two creation periods, and offer a comprehensive assessment of his trinitary literary creation process of 《poetry》,《commentary》 and 《translation》.

关 键 词：博纳富瓦 诗歌创作 文学批评 译介 在场诗学 

分 类 号：I106[文学—世界文学]