电影和作为思维方式的论文  

The Cinema and the Essay as a Way of Thinking

作　　者：雷蒙·贝卢尔 杨旖旎 Raymond Bellour

机构地区：[1]北京大学艺术学院

出　　处：《电影艺术》2019年第4期107-113,共7页Film Art

摘　　要："论文电影"并非与虚构电影、纯粹的纪录片两相对立。2004年在法国出版的《论文与电影》以三种立场呈现电影本身的论文特性,整体上倾向于承认预存真实与建构真实并非绝对对立;另一方面,"自画像"和论文的混淆意味着对包括论文在内的类型的任何一种理想分类法都是不可能的,虚构、自画像、论文是以持续不断的互相作用为特征而运行着的。The concept of"essay film"endured a long formation from"a new form of documentary"to"La camera-stylo",essayistic,a direct image of thought,and finally essay film.The essay film is not in the vague and general opposition to the fiction film and to the documentary.L’Essai et le cinéma in 2004 presents the presence of the essay in cinema or even the characterization of the essay as cinema itself in three positions,and seems to relativize strongly the gap between the pre-existing reality(which is the traditional object of documentary)and the constructed reality(which is the supposed privilege of fiction).In another aspect,the confusion between the self-portrait and the essay means that any coherent type of classification of the literary genres is impossible.Fiction,self-portrait and essay these three basic trends work in constant interaction.

关 键 词：论文电影 思维方式 论文式 自画像 

分 类 号：J905[艺术—电影电视艺术]