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作 者:张海桥 吴燕 ZHANG Haiqiao;WU Yan(College of Furnishings and Industrial Design,Nanjing Forestry University, Nanjing 210037,China)
机构地区:[1]南京林业大学家居与工业设计学院
出 处:《家具》2019年第4期50-54,共5页Furniture
基 金:浙江省湖州市“南太湖精英计划”项目([2018]2号);浙江省重点研发计划项目(2017C01117)
摘 要:佛教自东汉初年传入中原,发展至唐朝,经历了与中华文化从相互碰撞到相互融合的过程,其中出现了两个巅峰时期。为了研究佛教的传入对中原地区的家具文化和起居方式的影响,本研究以佛教发展的两个巅峰时期为出发点,从石窟壁画、文人绘画、出土文物、文献记载等可靠资料入手,得出了佛教对家具文化影响巨大的结论。Buddhism had developed about 800 years until Tang Dynasty since being introduced into the central China from the early of the Eastern Han Dynasty. It experienced from collision to mutual integration with the Central China culture,which appeared two peak periods. In order to study the influence of Buddhism on the furniture culture and living style of the Central China,this paper takes the two peak periods as the starting point with the help of the reliable materials such as murals in grotto,literati painting,unearthed cultural relics,documentation,etc. It comes to the conclusion that Buddhism has a great influence on Chinese traditional furniture culture.
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