杂剧的戏剧形态史意义——兼评廖立、廖奔《朱有燉杂剧集校注》  

On the Historical Significance of ZHU You-dun’s Drama Form——Comments on Annotated Works of ZHU You-dun Drama by LIAO Li and LIAO Ben

作　　者：张召鹏[1] 康保成[1] ZHANG Zhao-peng;KANG Bao-cheng

机构地区：[1]河南大学文化产业与旅游管理学院

出　　处：《求是学刊》2019年第4期123-132,共10页Seeking Truth

摘　　要：朱有燉的杂剧创作并刊刻于元刊杂剧与《元曲选》之间,在我国戏剧形态史上具有承前启后的特殊意义,也为认识宾白不全的元刊杂剧提供了参照。朱剧揭示出"楔子"本指套曲之外的一两支曲牌,可与元人的论述相印证。朱剧不分折,但剧中却常有"××一折了"的提示,与元刊杂剧相同。朱剧中往往在两个套曲之间插有歌舞、弹唱场面的提示,这反映了元末明初北曲杂剧的演出形态。廖立、廖奔的《朱有燉杂剧集校注》,治学态度严谨,最大限度地保存了元末明初杂剧的剧本形态,值得称道。ZHU You-dun’s drama was created and published between Drama by Yuan Dynast and Yuan Drama Selections. It has a special significance in the history of Chinese drama form, and also provides a reference for understanding the incomplete Drama by Yuan Dynast. Zhu drama revealed that the"wedge"refers to the diverging one or two drama melodies can be verified with the Yuan. Zhu drama does not fold, but often in the play"×× a fold"hint, the same as Drama by Yuan Dynast. In Zhu’s plays, there are often hints of singing,dancing and playing between the two divergences, which reflects the performance form of northern opera at the end of Yuan dynasty and the beginning of Ming dynasty. Annotated Works of ZHU You-dun Drama by LIAO Li and LIAO Ben is worthy of praise for their rigorous scholarly attitude and maximally preserving the script form of dramas at the end of Yuan dynasty and the beginning of Ming dynasty.

关 键 词：朱有燉 北曲杂剧 形态 承前启后 

分 类 号：I207.37[文学—中国文学]