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作 者:廖元新[1] 万建中 Liao Yuanxin;Wan Jianzhong
机构地区:[1]南昌大学法学院,江西南昌330066 [2]中国民间文艺家协会 [3]北京师范大学文学院,北京100875
出 处:《中原文化研究》2019年第5期115-121,共7页The Central Plains Culture Research
基 金:国家社会科学基金重大项目“20世纪中国民间文学研究专门史”(16ZDA164)阶段性成果
摘 要:歌谣学的滥觞期,学术工作是将民间歌唱活动文本化,即把歌唱活动从生活中脱离出来,抽提出唱词编辑成歌谣记录文本。早期的歌谣研究以记录文本为中心,发掘歌谣蕴含的文化要素和历史积淀。20世纪50年代以后,歌谣学的视野有所扩展,歌谣传唱的生存环境得到关注,但并没有从文本中心主义的窠臼中摆脱出来。直到90年代,回归歌谣生活本源成为明确的学术方向,深入的田野实践提供了富有说服力的个案经验。延续到21世纪,强调歌唱形成的生活环境凸现出来一种文化建构力量,将歌谣置于生活的深层语境中获得了富有张力的阐释。In the beginning of the folksong study, the academic work is to textize the singing activities, that is, to separate the singing activities from life, and edit lyrics into text. The early study of folksongs centered on the recorded texts and explored the cultural elements and historical accumulations. After the 1950s, the vision of study has expanded, and the living environment of singing has received attention, but it has not been freed from the shackles of textualism. Until the 1990s, the return to the life behind the song was a clear academic direction, and the in-depth fieldwork provided a convincing case experience. Continued into this century, emphasizing a cultural construction power by the living environment formed by singing, the folksongs are placed in the deep context of life to obtain a tense interpretation.
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