赫连山、赫连简墓壁画的绘制、描润与配置——兼谈唐代壁画墓的“太原模式”  

The Painting,Retouching and Arranging of the Murals in Burials of Helian Shan and Helian Jian of the Tang Dynasty in Taiyuan,Shanxi——Also on the “Taiyuan Style” of the Tomb Murals of the Tang Dynasty

作　　者：王炜 张丹华 冯钢[2] Wang Wei

机构地区：[1]山西大学历史文化学院考古系 [2]太原市文物考古研究所

出　　处：《文物》2019年第8期68-75,共8页Cultural Relics

基　　金：2016年度教育部人文社会科学研究青年基金项目(批准号:16YTCZH102)阶段性成果

摘　　要：中华人民共和国成立后,山西太原地区已发掘唐代墓葬超过90座[1],其中壁画墓不少于15座,是唐代两京地区以外壁画墓数量最多、保存最好的地区之一,已经引起国内外学术界的持续关注[2]。太原市文物考古研究所于2014年发掘的赫连山、赫连简墓(下文简称M1、M2)为探讨相关问题提供了新资料[3]。本文拟结合太原等地区其他唐代墓葬的资料,对此两墓的壁画进行初步研究。The report the Excavation of the Burials of Helian Shan and Helian Jian of the Tang Dynasty in Taiyuan,Shanxi is published in No.5,2019 of this journal,and this paper is an extensive study on the murals introduced in that report.In the aspects of painting,retouching and arranging of these murals,this paper tries to analyze the interring methods of the tombs and painting intentions and characteristics of the arrangements of these murals.Referring to the studies of Su Bai and other scholars on metropolitan and local styles of the tomb murals of the Tang Dynasty,this paper puts forward the concept of"Taiyuan Style"of the tomb murals of the Tang Dynasty for the first time.This paper also observes the development of the Helian Family to which the burial occupants belonged and analyzes the historical causes for this style to come into being.

关 键 词：唐代墓葬 太原地区 壁画墓 中华人民共和国 文物考古研究所 配置 学术界 国内外 

分 类 号：K878.8[历史地理—考古学及博物馆学]