谍战剧女性形象的再塑造——以电视剧《麻雀》为例  

The Reformation of Female Images in Spy Dramas

作　　者：曾光[1] ZENG Guang(Jiageng College in Xiamen University,Xiamen Fujian 362123)

机构地区：[1]厦门大学嘉庚学院

出　　处：《延安职业技术学院学报》2019年第4期91-94,共4页Journal of Yan’an Vocational & Technical College

摘　　要：本文分析2016年上映的谍战剧《麻雀》中的女性群象,女性之间的关系,男性间的关系,男女两性间的关系,以及女性死亡叙事模式的改变,探索其中塑造的女性如何打破“他者”身份和男性凝视下被言说,被建构的对象地位。此剧中的女性不再是身份模糊和欲望消费的对象,而是引领男性主角觉醒和成长,成为其精神支柱和信仰体系的来源的主体,甚至和男性角色担任同样重要的主人公地位。The spy drama Sparrow is chosen as the drama for this study.The author attempts to analyze its formation of female image as well as how it breaks the “other” image of women and changes their bespoken and be-constructed positions under male gaze.The female group images,femalefemale relation,male-male relation,female-male relation as well as a change in the death-narrative will be discussed for this purpose.The author points out that the females in this drama are no longer signifiers for visual excitement or desire consumption,but rather,they are leading heroines that guide and awaken the heroes,becoming their spiritual support,helping forming their belief system and therefore holding equally important roles.

关 键 词：谍战剧 《麻雀》 女性群象 女性主义 

分 类 号：I287[文学—中国文学]