论《爵士乐》中城市空间的阈限与重构  

Discussion on the Liminality and Reconstruction of City Space in Jazz

作　　者：汤利芬 TANG Lifen(Foreign Studies College,Hunan Normal University,Changsha,Hunan 410013)

机构地区：[1]湖南师范大学外国语学院

出　　处：《绵阳师范学院学报》2019年第9期151-155,共5页Journal of Mianyang Teachers＇ College

基　　金：国家社科基金一般项目“当代非裔美国文学中的城市书写研究”(18BWW090)

摘　　要：本文从托尼·莫里森作品《爵士乐》中的城市空间书写着手,指出黑人在城市的生活空间被局限在某一区域,心理空间也随之发生错位的现象,认为其原因在于黑人远离南方家园的保护范围,使得城市得以从身体和精神层面将他们与黑人文化隔绝。在莫里森看来,为了获得生存空间,黑人可以采取在城市建立黑人社群的方法重构城市空间。通过对黑人城市生活的书写,莫里森向读者揭示了城市的异化作用,同时还表达了她对黑人文化救赎性功能的肯定。This paper is meant to read Toni Morrison's Jazz from the perspective of the writing of city space. It points out the black's daily-life in the city are confined in some region, along with which their psychological space are also dislocated. The reason of this phenomenon is because the black live far away from the protective domain of the south so that the city has access to estrange them physically and psychologically from the black cultures. On the part of Morrison, in order to gain living space, the black can reconstruct the city space by building up black communities. Through her writing of the black's living situations in city, Morrison reveals the alienated influence of the city;meanwhile she confirms the redemptive power of the black cultures.

关 键 词：《爵士乐》 城市空间 阈限 重构 

分 类 号：I106.4[文学—世界文学]