女性身体与战争创伤的另类叙事——重读山崎朋子《望乡:底层女性史序章》  

Women’s Bodies and Alternative Narratives of War Trauma——Rereading Yamazaki Tomoko: Preface to the History of Women at the Bottom by Yamazaki

作　　者：林祁 LIN Qi(School of Foreign Languages, Xiamen University of Technology, Xiamen, Fujian 361021, China)

机构地区：[1]厦门理工学院外国语学院

出　　处：《湘潭大学学报（哲学社会科学版）》2019年第5期130-134,共5页Journal of Xiangtan University:Philosophy And Social Sciences

基　　金：国家社会科学基金项目“日本新华侨华人文学三十年”(13BZW135);国家社会科学基金项目中华学术外译(18WZW009)

摘　　要：日本女作家山崎朋子《望乡:底层女性史序章》是战争创伤的另类叙事,它为背对祖国"望乡"的日本海外妓女魂鸣冤,把批判锋芒直指日本军国主义的侵略扩张;通过阿崎婆等底层女性个人史,审视女性身体与国家权力及现代性,控诉侵略扩张。40年来,这一边缘叙事曾通过电影热播及译著的畅销,突破中日之间既有的政治纠葛及共有的男权意识形态,为中日文学关系增添了不可替代的一页。2018年中日和平友好条约签订40周年,重读这部战争创伤的另类叙事,进行更深层的反思,无疑将推进更为贴近历史、深入人心的国际文化交流。The Japanese female writer Yamazaki’s "Homesickness: The Preface of the Female History at the Bottom" is an alternative narrative of war trauma. It is the singer of the Japanese overseas sluts who are homesick for their motherland and criticizes the aggression and expansion of Japanese militarism. Through personal history of the bottom women, such as Azaki, the work examines the female body and state power and modernity, and accuses Japanese aggression and expansion. This marginal narrative has been popular through translations and films adapted from it for forty years. It broke through the existing political disputes between China and Japan and the shared patriarchal ideology, adding an irreplaceable page for Sino-Japanese literary relations. On the occasion of the 40 th anniversary of signing the Sino-Japanese Treaty of Peace and Friendship, rereading the alternative narrative of this war trauma and carrying out deeper reflection will undoubtedly promote international cultural exchanges that are close to history and deeply rooted in the hearts of people.

关 键 词：女性身体 战争边缘叙事 中日文学关系 

分 类 号：I0-03[文学—文学理论] I106