论元杂剧爱情戏中的“久别离”  

On the Cultural “Long Farewell” in the Love Drama of Yuan Operas

作　　者：李凯 LI Kai(School of Chinese Language and Literature,Liaoning Normal University,Dalian Liaoning 116000,China)

机构地区：[1]辽宁师范大学文学院

出　　处：《吕梁学院学报》2019年第4期6-9,共4页Journal of Lyuiang University

摘　　要：在元杂剧爱情戏中,主人公在追求自由恋爱时往往面临封建家长的阻碍或其他原因而导致夫妻长久分离,形成了"久别离"的故事情节。"久别离"作为元杂剧爱情戏中的主要情节设置,有着深厚的社会意蕴和美学观念。从纵向看,元杂剧"久别离"故事情节的文学创作上承宋杂剧的发展,下启明代传奇婚姻爱情剧中大量"久别离"情节的设置,对杂剧发展的脉络有重要意义。In the love drama of Yuan Dynasty,the protagonists are often faced with the obstacles from their feudal parents or other reasons when they pursue free love,which leads to the long separation of husband and wife,forming a "long separation"story. As the main plot settings of love plays in Yuan operas,"Long Farewell"has profound social implications and aesthetic concepts. From a historical point of view,the literary creation of the plot of the Yuan Zaju "Long Farewell"inherits the development of Song operas and the setting of a large number of"Long Farewell"plots in the legendary marriage and love drama of Ming Dynasty,which is of great significance to the development of operas.

关 键 词：元杂剧 爱情戏 久别离 

分 类 号：I206.2[文学—中国文学]