仿拟及其类型与文体丕变：《金瓶梅词话》的仿拟研究  

The Genre of Text Parody and the Evolution of the Types of Chinese Ancient Fictions:On Text Parody of Plum in the Gold Vase

作　　者：杨彬 YANG Bin

机构地区：[1]东华大学人文学院传播系

出　　处：《学术月刊》2019年第9期122-132,共11页Academic Monthly

基　　金：“中央高校基本科研业务费”资助

摘　　要：《金瓶梅词话》的仿拟现象,是这部奇书最引人注目的一个创作特色。以"互文"理论为基础的仿拟研究是对传统素材来源研究的升级,着重于探讨仿拟过程中人物形象、情节片段及诗词韵语等素材的创生性改造。本文从对《金瓶梅词话》的仿拟方式进行初步分类开始,着力探求它如何经由仿拟文本与其自身文本的融会与化合,"以他人之成文,写自己之故事"的写作模式。由此引发的对于小说叙事风格、题旨意蕴乃至文体类型的丕变,使它与其所仿拟的所有类型的文本都产生了差异,这些都昭示出《金瓶梅词话》对传统小说的疏离与演变。同时,仿拟研究对作者、成书过程等等的考证工作,也可以提供别一角度的论据。The text parody is the most noticeable writing features of Plum in the Gold Vase. By intertextuality as it’s theoretical basis, the research of the text parody which attach importance to discussing the creative reformation on character, plot, poems and the other rhythmical language of novels is an upgrade to the traditional source material research. This paper starts from the genre of the text parody of Plum in the Gold Vase, stressing to probe the narrative modes of melting and combination with so called "writing his own stories with other’s existing writings" which led to a huge changing of narrative styles, the topic and the implication and the genre of the literary forms, thus made this novel particular and different from others and showed the alienation and the evolution with others. In addition, the text parody research can also provide an alternative study perspective on discussing the author and the procession of writing Plum in the Gold Vase.

关 键 词：《金瓶梅词话》 仿拟 创生性改造 类型 写作模式 文体丕变 

分 类 号：I206[文学—中国文学]