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作 者:王一方[1,2] WANG Yi-fang(Department of Science Technology and Medical History,Peking University,Beijing 100871,China)
机构地区:[1]北京大学科学技术与医学史系 [2]北京大学医学人文学院
出 处:《医学与哲学》2019年第19期1-4,共4页Medicine and Philosophy
摘 要:叙事医学开启生命书写的新理念,死亡叙事可望丰富灵性空间的意象。为此,我们需要告别传统的宗教叙事,借助于中外魔幻现实主义文学作品中死亡叙事的诠释,从马尔克斯的《百年孤独》到中国当代作家莫言、贾平凹、韩少功、余华、扎西达瓦的魔幻现实主义创作实践,以及医学与文学双栖作家的跨界写作,开拓出灵性认知的新空间、灵性抚慰的新工具、灵性照顾的新语境,为临床死亡提供更多的诗化、羽化之旅。Narrative medicine opens up new ideas for life writing, and death narrative is expected to enrich the image of spiritual space. Therefore, we need to give up traditional religious narratives. With the interpretation of the death narrative in Chinese and foreign magical realism literature, from Marquez's One Hundred Years of Solitude to the contemporary Chinese writers Mo Yan, Jia Pingwa, Han Shaogong, Yu Hua, and Zhaxi Dawa's magical realism creative practice, and cross-border writing by medical and literary writers, we can open up a new space for spiritual cognition, use new tools for spiritual comfort, set up a new context for spiritual care, and provide more poetic and feathering journeys for clinical death.
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