喜剧作品中的比喻策略  

On the Metaphorical Strategies in Comedies

作　　者：曾炜[1] 刘淑波 ZENG Wei;LIU Shubo(2. Changsha Normal University,College of Primary Education,Changsha,Hunan410100,China)

机构地区：[1]湖南理工学院中国语言文学学院,湖南岳阳414006 [2]长沙师范学院初等教育学院,长沙410100

出　　处：《城市学刊》2019年第5期93-98,共6页Journal of Urban Studies

基　　金：湖南省教育厅优秀青年项目(11B056)

摘　　要：比喻是喜剧作品人物台词常用的手法。比喻是从一个认知域向另一个认知域“投射”的认知方式,投射的基础是二者的相似性。喜剧作品中比喻的常用策略主要有“以物喻人”“以谐喻庄”“以贬喻褒”“以实喻虚”,喜剧性比喻的喻体与本体之间具有某种不谐调性,且常常与夸张的手法相伴随,用以揭示所关涉的人及相关之物的“丑”。喜剧性比喻是一个复杂而值得继续探讨的问题。The metaphor is a common language strategy in comedy characters’ lines. The metaphor is a cognitive way of “projecting” from one cognitive domain (source domain) to another cognitive domain (target domain). The basis of projection is the similarity between the two. There are four strategies of metaphor in comedies:“using things to describe people”,“using harmonious metaphors to describe solemnity”,“using negatives to describe positive”,“using specific to describe abstract”. The relationship between source domain and target domain is incongruous, it is often accompanied by exaggeration, in order to reveal the “ugliness” of the people concerned and related things. The comedy metaphor is complex and worthy of further discussion.

关 键 词：喜剧 比喻 不谐调 

分 类 号：H15[语言文字—汉语]