晚清海派狭邪小说中男伶书写的心理意蕴  

The psychological implication of male actors’ writing in the narrow and evil novels of Shanghai school in the late Qing dynasty

作　　者：武云霞[1] Wu Yunxia(College of Marxism, Inner Mongolia University of Technology,Huhehot 010051,China)

机构地区：[1]内蒙古工业大学马克思主义学院

出　　处：《六盘水师范学院学报》2019年第5期34-39,共6页Journal of Liupanshui Normal University

基　　金：2018年度内蒙古自治区社科规划办项目“晚清民国京昆名伶‘文士化’研究”（2018NDB100）

摘　　要：晚清海派狭邪小说中的男伶形象大多出现在娼优情事之中,其文字可谓极尽丑化之能事。正是这些近于溢恶的男伶书写,意外地透露出身处“断裂时代”的洋场才子们在沪上新兴世界里生存处境的举步维艰。“士娼优”关系的严重失衡使他们再次遭遇自我身份确认的焦虑与尴尬。然而,他们在对社会地位急速下滑深感焦虑的同时,却又无时无刻不借助男伶书写,进行着“自高一筹”的自我陶醉。In the late Qing Dynasty, the image of male actors in Shanghai School’s narrow evil fiction most. ly appeared in prostitution, and their characters could be described as being extremely ugly. It is these vicious men’s writings that unexpectedly reveal the difficult situation of the talented foreigners from the“era of rup. ture”in Shanghai’s emerging world. The serious imbalance of the excellent relationship between prostitutes makes them encounter the anxiety and embarrassment of self-identification again. However, while they are deeply anxious about the rapid decline of social status, they are constantly narcissizing themselves with the help of male writers.

关 键 词：娼优情事 男伶书写 洋场才子 身份焦虑 自我陶醉 

分 类 号：I242.4[文学—中国文学]