危机主题与希望使者：日本“后3·11文学”中的《献灯使》  

Crisis Theme and the Beacon of Hope:on kentoushi of Japanese Literature in Post-Fukushima Era

作　　者：侯冬梅 HOU Dongmei

机构地区：[1]曲阜师范大学翻译学院日语系

出　　处：《中华女子学院学报》2019年第5期65-71,共7页Journal of China Women＇s University

基　　金：2018年度教育部人文社会科学规划项目“21世纪日本文学主题研究(2000—2018)”的阶段性成果,项目编号：18YJA752003

摘　　要：日本当代女作家多和田叶子的《献灯使》是一部描写当代日本社会危机主题的作品."3·11大地震"后,孤岛日本危机四伏的社会环境以及生活于其中的人类面临的生存危机形成作品的主线,而"献灯使之会"的存在则构成作品的伏线.多和田叶子开阔的国际视野和辽远的人类共同体思考模式打破了作品主线危机主题的沉闷,以"献灯使"的培育和派遣过程举动为伏线让陷入危机中的孤岛看到了一缕救赎的希望.严峻的多重危机与"献灯使"的希望之光在作品中交互显现,是《献灯使》在同时期涌现的"3·11东日本大地震文学"以及"后3·11文学"作品中的清新夺目之处.《献灯使》是成就多和田文学的重要作品,也是作家多和田在平成年间的重要文学成就.Yoko Tawada, a contemporary Japanese female writer, in her award-winning novel the kentoushi tells social crises faced with Japan after it suffered a devastating earthquake and Fukushima Nuclear Leak in March 11, 2011. The massive disaster has thrown Japan into daunting social crises and its people have been faced with huge threat to their existence. They have grown into the main theme of the novel, while the birth of Mumei is believed to its sub-theme. Yoko Tawada’s broad international vision and far-reaching thinking of a community with a shared future for humanity have broken the depression of the theme of crisis in the work, while the cultivation and dispatch of Emissary in the foreshadowing have brought a light of hope for redemption to the isolated island fallen in crises. The serious crises and the beacon hope have emerged interactively in the novel. This merit has become shined in the comparison with other novels during same period in Japan. The novel has been recognized as a major work of Yoko Tawada.

关 键 词：多和田叶子 《献灯使》 后3·11文学 危机主题 希望之光 

分 类 号：I106.7[文学—世界文学]