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作 者:王贵禄 Wang GuiluSchool of Chinese Literature
机构地区:[1]天水师范学院文学与文化传播学院
出 处:《天水师范学院学报》2019年第4期107-112,共6页Journal of Tianshui Normal University
基 金:国家社科基金项目“中国当代西部散文研究”(10XZW027)阶段性成果
摘 要:西部散文“追寻—精神还乡式”创作模式的形成,既是对现代还乡书写的承续,又是对古代还乡书写的回应,同时也基于时代与文学的双重诉求,即受“归家”与“寻根”思潮的策动。西部散文对这种创作模式的运作,更倾向于对“家”的确认、对自我的确认和对西部的确认。因为这样,西部散文便远离了喧嚣与骚动,告别了文坛盛行的那种精雕细琢的小散文格局。西部散文对文化乡愁与精神寻根的持续书写,使其彰显了别样的意义深度。The formation of the“pursuit-spiritual return”creative mode of western prose is not only a continuation of modern homecoming writing, but also a response to ancient homecoming writing. At the same time, it is based on the dual demands of the times and literature, that is, inspired by the trend of thought of“returning home”and“seek. ing roots”. The operation of this creative mode in western prose tends to recognize“home”, self and the west. Be. cause of this, the western prose is far away from the noise and turbulence, farewell to the fine and delicate prose pat. tern prevailing in the literary world. The continuous writing of western prose on cultural nostalgia and spiritual roots makes it show a different depth of meaning.
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