理想的建构与现实的写照——包豪斯研究在中国：1980-2010  

Construction of Ideals and Portrayal of Reality:Bauhaus Research in China from 1980 to 2010

作　　者：陈雨[1] 薛迎辉 Chen Yu;Xue Yinghui

机构地区：[1]中国农业大学机械与农业工程实验教学中心,北京100083 [2]中国文联文艺评论中心,北京100083

出　　处：《家具与室内装饰》2019年第10期9-11,共3页Furniture & Interior Design

基　　金：中国农业大学工学院2019年教学改革项目

摘　　要：本文回顾了改革开放至2010年前后,我国设计领域包豪斯研究的发展历程,指出包豪斯研究在我国并非单纯的史论议题,其问题意识与中国设计实践的现实需求密切相关。1980年代,在中国现代设计的启蒙时期,包豪斯被构建为理想的目标;1990年代,为了应对随着设计实践展开而面临的种种问题,包豪斯被主动误读,为中国设计、特别是设计教育提供了可资借鉴的经验;2000年代,随着设计实践的成熟,包豪斯研究不再刻意追求现实层面的价值,逐渐回归设计史研究。This paper reviews the development process of Bauhaus research in China from 1980 to 2010. It points out that Bauhaus research is not a purely historical issue in China, but its problem consciousness is closely related to the practical needs of design practice. In the 1980s, during the enlightenment period of Chinese modern design, Bauhaus was constructed as an ideal goal. In the 1990s, in order to deal with various problems arising from the development of design practice, Bauhaus was misread actively, which provided valuable experience for Chinese design, especially for design education. In the 2000s, with the maturity of design practice, Bauhaus research no longer purposefully pursued the value of reality, but gradually returned to the study of design history.

关 键 词：包豪斯 中国设计 设计史 设计教育 

分 类 号：G42[文化科学—课程与教学论]