贵州车江侗族嘎琵琶的歌唱表演风格与展演程式研究  

A Case Study on Singing Style and Performing Style of Gapipa of the Dong People in Chejiang,Guizhou

作　　者：朱腾蛟[1] ZhuTengjiao(Shanghai Conservatory of Music,Shanghai,200031)

机构地区：[1]上海音乐学院

出　　处：《民族艺术研究》2019年第5期102-111,共10页Ethnic Art Studies

基　　金：2015年度国家社科基金艺术学一般项目“中国传统音乐表演艺术与音乐形态关系研究”(编号15BD042)子项目成果

摘　　要：“嘎琵琶”[albicbac](即“琵琶歌”)是流行于南部侗族地区的歌唱形式。南部侗族不同地区的“嘎琵琶”在旋律音调、歌唱风格、伴奏乐器以及对歌形式等方面存在一定差异,形成了嘎琵琶的多种类型。车江“嘎琵琶”中大量使用同音重复结合连续的阻声式润腔的拖腔处理方式,使得旋律的节奏律动感增强。假声发声方法与阻声式润腔的运用构成了车江“嘎琵琶”的地方性歌唱形态风格。车江“嘎琵琶”作为以情歌为主体内容的侗族歌唱形式,被运用于各类歌俗与民俗活动之中,主要在“委伴”“为也”“守旧岁”以及婚礼等民俗活动中演唱。“Gapipa”( al bic bac), pipa song, is a singing style that is popular in the south of the Dong are-a. There are some differences in melody tone, singing style, accompaniment instrument and duet in gapipa in different southern Dong areas, which makes gapipa various. There are lots of repetition of same notes combined with a continuous tuning tone of vocal resistance, which enhances the rhythm of the melody. Falsetto vocalization method and the tuning tone of vocal resistance constitute a local singing style of Chejian gapipa. Chejiang "gapipa", a singing form mainly based on love song of the Dong people, are sung in various folk activities, such as "weiban","weiye","shou Jiuzui" and weddings.

关 键 词：侗族 车江嘎琵琶 “委伴” 假声 歌唱风格 对歌场域 

分 类 号：J607[艺术—音乐]