赞哈旋律音阶与傣仂语六声声调的关系——以勐海县赞哈歌手玉叫演唱为例  

The Relationship Between Melodic Scale of Zanha and the Six-notes Tone of Daile Dialect:A Case Study on Yujiao,A Zanha Singer in Menghai County

作　　者：李纬霖 Li Weilin(Guizhou Minzu University,Central Conservatory of Music,Guiyang,Guizhou,500025)

机构地区：[1]贵州民族大学音乐舞蹈学院

出　　处：《民族艺术研究》2019年第5期112-120,共9页Ethnic Art Studies

摘　　要：“赞哈”(tsa:η^6 xap^1)为傣语,译为汉语为“会唱歌的人”,还可译为“傣族歌手”。但现代意义上的赞哈除了指傣族歌手外,还指傣族歌手演唱这一种艺术表现形式。赞哈歌手及赞哈调在西双版纳及周边国家的傣族社会中发挥着重要功用,成为生活中不可缺少的“调味品”。文章以勐海县赞哈歌手玉叫念诵的六声声调调值及其演唱的赞哈调《情歌》为例,对其旋律音阶与傣仂语六声声调的关系进行分析,可得出以下两点结论:第一,六声声调调值为旋律音阶的'根基'(旋律音阶是六声声调调值的拓展);第二,“腔格”与字调只是音乐化的大体适应,并非刻板的摹拟。"Zanha"(tsa :ηxap1 )is a term of Dai dialect, which can be translated into Chinese as "singer" and also as " the Dai singer". While, in recent time, zanha not only refers to the Dai singers, but also to the artistic performance of the Dai singer. Zanha singers and zanhadiao (the tuning of zanha) play an important role in the Dai societies in Xishuangbanna and surrounding countries, and they have become indispensable "spice" in the Dai’s life. Based on a six - note tone recited by Yujiao, a zanha singer in Menghai county, and a love song of zanhadiao sung by Yujiao, this paper examines the relationship between melodic scale of zanha and the six - notes tone. I suggest, firstly, the melodic scale of zanha roots in the six - notes tone (that the melodic scale of zanha develops on the six - notes tone);secondly, the “voice tuning” and the note tone are generally adapted for music, rather than a rigid imitation.

关 键 词：赞哈 旋律音阶 傣仂语 六声声调 对比 

分 类 号：J607[艺术—音乐]