论莱辛戏剧美学的观众意识  

On the Audience Consciousness of Lessing’s Dramatic Aesthetics

作　　者：曾丽瑾 杨红旗[1] ZENG Li-jin;YANG Hong-qi(Xihua Normal University,Nanchong 637000,Sichuan,China)

机构地区：[1]西华师范大学

出　　处：《喀什大学学报》2019年第4期71-75,共5页Journal of Kashi University

摘　　要：莱辛是继亚里士多德后对接受理论产生重大影响的一位理论家,而他接受思想中最重要的就是关注观众意识。他认可观众的地位,在创作中关注到观众的接受,他不仅承认读者在接受过程中具有想象的自由,同时也承认读者具有审美的能力与自由。莱辛的观众意识与理论化状态的现代接受美学不同,其经验性的平和论说更具有文学道理的内涵意义。莱辛戏剧美学中的观众意识对后世接受美学的发展起到了重要的作用。Lessing was a theorist who had a great influence on the reception theory after Aristotle, and the most important part of his reception thought was to pay attention to the audience consciousness. He recognizes the status of the audience and pays attention to the audience's acceptance in his creation. He not only acknowledges that the readers have the freedom of imagination in the process of receiving, but also acknowledges that the readers have the ability and freedom of aesthetics. Audience consciousness in his plays and aesthetics also plays an important role in the development of reception aesthetics. Lessing's audience consciousness is different from the modern reception aesthetics in the theoretical state.

关 键 词：莱辛 观众意识 接受 

分 类 号：I01[文学—文学理论]