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作 者:苏殊[1] SU Shu(West China Normall University, Nanchong, Sichuan 637000, China)
机构地区:[1]西华师范大学音乐学院
出 处:《贵州民族研究》2019年第9期65-69,共5页Guizhou Ethnic Studies
基 金:西南音乐研究中心项目“‘蜀中瑰宝’翻山铰子曲牌音乐的研究与传承”(项目编号:Xn YY2016022)的阶段性成果
摘 要:民族传统音乐多以群体的即兴表演为主,伴奏曲牌音乐则多以以曲填词、以舞配乐的音乐形态来有效地促进民族音乐艺术的发展,因而民族伴奏曲牌音乐则随着独特民族歌舞词曲和器乐词曲的经典而被传承。然而随着民族音乐艺术同流行音乐艺术的对接,民族伴奏曲牌音乐逐渐被时代流行音乐曲牌所替代,传统民族伴奏曲牌音乐随即被搁置,民族伴奏曲牌音乐的传承日渐成为民族音乐可持续发展的鸡肋。整合民族伴奏曲牌音乐资源,推动民族伴奏曲牌音乐的传承,成为新时期民族原生态音乐永续传承的必然选择。The traditional music of the nationality is mainly based on the impromptu performance of the group. The accompaniment music music promotes the development of the national music art with the music form of the lyrics. The national accompaniment music is accompanied by the classics of the unique folk songs and songs and instrumental music.Passed on. However, with the connection of national music art and popular music art, the national accompaniment music music was gradually replaced by the popular music music cards. The traditional national accompaniment music music was immediately put on hold, and the inheritance of national accompaniment music music became the rib of the sustainable development of national music.. Integrating the national accompaniment music resources and promoting the inheritance of national accompaniment music has become an inevitable choice for the sustainable inheritance of the national original ecological music in the new era.
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