抗战时期中国文学的雅俗互融——兼论张恨水、张爱玲、赵树理  

On the Merge of the Elegant and Vulgar of Chinese Literature in the Period of the Anti-Japanese Aggression War

作　　者：王源[1] 

机构地区：[1]甘肃联合大学文学院,甘肃兰州730000

出　　处：《甘肃教育学院学报（社会科学版）》2002年第4期41-44,共4页Journal of Gansu Education College(Social Sciences)

摘　　要：中国现代文学史的编写 ,多年来存在着一个致命的弱点 ,就是缺乏对通俗文学的重视。实际上 ,在抗战时期 ,处在不同政治地域内最有影响的代表作家张恨水、张爱玲、赵树理的创作均已表现出雅俗互融的风格。但由于他们的出身、生活经历和文化底蕴不同 。The failing of the compile of the history of modern Chinese literature is the writers have not attached great importance to the popular literature. In fact, the styles of the merge have been displayed in the literary works written by the writers from different political regions during the Anti Japanese Aggression War. Zhang Henshui, Zhang Ailing and Zhao shuli are the representatives. The essay tried to analyse the merge in their works and expressed the point of the merge should be given a great attention in the process of the compile of the history of Chinese literature in future.

关 键 词：张恨水 张爱玲 赵树理 中国 现代文学 抗日战争时期 雅文学 俗文学 

分 类 号：I206.6[文学—中国文学]