风清骨峻——《文心雕龙·风骨》篇研析  

Aesthetic Implication of Wind and Bone: Study on Wen Xin Diao Long·Feng Gu

作　　者：张晓丽 Zhang Xiaoli(Inner Mongolia University of Science&Technology,Baotou,Inner Monggolia014010)

机构地区：[1]内蒙古科技大学文法学院

出　　处：《语文学刊》2019年第4期8-13,共6页Journal of Language and Literature Studies

基　　金：国家社会科学基金重大项目“《文心雕龙》汇释及百年‘龙学’学案研究”(17ZDA253)之子课题“《文心雕龙》精义今释”的阶段性成果;内蒙古师范大学“十百千”人才工程第二层次项目立项资助(RCPY-2-2012-K-006)“《文心雕龙》之文章学研究”的阶段性成果

摘　　要：《文心雕龙》“风骨论”是“龙学”研究的焦点,大致沿剖析式,阐发式,剖析阐发式三种思路展开。为更好地契合“风骨”论存在的语境,本文尝试借鉴现代模糊逻辑,以模糊式思路来阐释“风骨”,将“风骨”范畴看作一个审美空间,进一步发掘“风骨”范畴美学意蕴的“潜在可能性”。The discussion of“wind and bone”is a focus of Wen Xin Diao Long.It is roughly along the three ideas of analysis,analysis,and analysis.In order to better fit the context of the existence of the“wind and bone”theory,this paper attempts to draw lessons from modern fuzzy logic and use fuzzy ideas to explain the“wind and bone”.The category of“wind and bone”is regarded as an aesthetic space to further explore the“potential possibility”of the“wind and bone”.

关 键 词：风骨 模糊性 中道思维 

分 类 号：I206.2[文学—中国文学]