壮族山歌文化与壮族民众的生存家园  

The Folk Song Culture of Zhuang Nationality and the Home of Existence for Zhuang People

作　　者：何飞雁 He Feiyan

机构地区：[1]南阳师范学院文史学院

出　　处：《鄱阳湖学刊》2019年第3期93-99,127,128,共9页Journal of Poyang Lake

基　　金：教育部人文社科青年基金项目“生活美学视域下的壮族歌圩文化研究”（16YJC751004）;教育部人文社科重点研究基地重大项目“美学基本理论的分析与重建”（13JJD750011）子课题“艺术理论与美学基本理论的重建问题”;2017年度河南省高校青年骨干教师培养计划资助项目阶段性成果

摘　　要：壮族的山歌与壮族的历史性存在息息相关,是壮族人人生在世得以栖居的生存家园。在壮语语境中,山歌的原初表述是“家”和“欢”,这种表述包含了壮族人们对自然之家的尊重与热爱,对神灵的信仰和敬畏,对美好姻缘、美满家庭的追求与坚守,对和谐友善之社会家园的营造与张扬,对人在天地间欢乐栖居的祈求与践行,体现了“天、地、神、人”的四重性融合统一。Folk songs are closely related to the historical existence of Zhuang people,and they are the home of existence for Zhuang people to live in the world.In the context of Zhuang language,the original purpose of folk songs is to sing out“home”and“joy”,which expresses Zhuang people’s respect and love of nature,their belief and awe of gods,their pursuit and guard of happy marriage and family life,their construction and advocacy of a harmonious and kind society,and their prayer for and practice of living a joyful life on the earth.The folk songs of Zhuang nationality embody the four-fold integration and unity of“heaven,earth,gods and man”.

关 键 词：壮族山歌文化 生存家园 生态美学 

分 类 号：G63[文化科学—教育学]