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作 者:潮洛蒙[1] 朱凯月 CHAO Luo-meng;ZHU Kai-yue(School of Foreign Languages,Tianjin University of Science and Technology 300222 Tianjin,China)
机构地区:[1]天津科技大学外国语学院
出 处:《齐齐哈尔大学学报(哲学社会科学版)》2019年第8期124-126,142,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)
摘 要:叙事文学需要有具体的人物以及情节等叙事要素,主要指小说、叙事诗和戏剧等文学题材。短歌等短诗型,因篇幅短小不具备形成叙事文学的要素,因而不属于叙事文学的范畴。日本诗人俵万智,采用“连作”短歌的方式,围绕同一个主题创作出数十首短歌,重视短歌的排序,使前后相接的短歌之前保持关联性,整体上用细致入微的语言讲述具体的事例,在某种程度上使短歌具备了叙事性。Narrative literature needs specific characters,plot and other narrative elements,mainly refers to novels,narrative poetry,drama and other literary themes.Short poems,such as short songs,do not have the elements of narrative literature because of their short length,so they do not belong to the category of narrative literature.Japanese poet Machi Tawara created dozens of short songs around the same theme by using the way of"continuous writing"short songs,paying attention to the order of short songs,so as to maintain the relevance before the successive short songs.On the whole,specific examples are told in detailed language,which makes short songs narrative to some extent.
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