明代戏剧唱词常用颜色词的语用考察  

Pragmatic Analysis on Commonly Used Color Terms in Ming Dynasty’s Librettos

作　　者：吴剑[1] WU Jian(School of International Education,Zhejiang University,Hangzhou Zhejiang 310027,China)

机构地区：[1]浙江大学国际教育学院

出　　处：《杭州电子科技大学学报（社会科学版）》2019年第4期58-66,共9页Journal of Hangzhou Dianzi University：Social Sciences

基　　金：国家社会科学基金项目(15BYY119)

摘　　要：颜色词是词汇学研究的经典课题,当下学界对汉语古典韵文文学语言颜色词的研究深度还不够,尚有继续挖掘的空间.文章在约294万字的明代戏剧唱词语料中从语用角度考察了“白、黑、红、绿、黄、青”六个常用颜色词的对举和排比情况.研究发现:对举应该选用色彩对比度大、容易共现、合辙押韵的颜色词;“黑”只与常用颜色词对举,用例极为有限;同一个颜色词进行排比,所选用的颜色词一般为常用颜色词,该用法渲染出的色彩效果最强、表达出的情感最热烈.不同颜色词进行排比,所选用的颜色词一般要在汉民族生活的自然环境、社会文化环境中容易共现.The color term is a classical research topic in lexicology, while the study on it in Chinese classical verse is not sufficient enough. Thus, a 2.94 million words corpus of librettos in Ming Dynasty is built in order to study the pairing structure and the parallelism in the following six color terms "bái, hēi, hóng lǜ, huáng, qīng" from the perspective of pragmatics. The findings are(1)the color terms in the pairing structure should be the terms with sharp comparison, easily co-occur, and being rhymed;(2)"Hēi" can only be paralleled to commonly used color terms, which is extremely limited in the corpus;(3)when the same color term is paralleled, usually the commonly used color terms are chosen, which can produce the most powerful color effect and emotional relationship;(4)when different color terms are paralleled, usually those color terms, which could be easily co-occurring in the natural, social & cultural environment of Han people, are selected.

关 键 词：明代戏剧唱词 常用颜色词 语用考察 

分 类 号：I237[文学—中国文学]