新中国成立初期人民美术出版社的图像生产与传播  

The Iconic Production and Dissemination of the People’s Fine Arts Publishing House in the Early Days of the Founding of People’s Republic of China

作　　者：屈波[1] 

机构地区：[1]四川美术学院

出　　处：《美术》2019年第9期102-106,共5页Art Magazine

基　　金：国家社科基金艺术学项目“中国当代美术制度研究(1949-1989)”阶段性成果,编号16BF087

摘　　要：作为国家级专业美术出版社,人民美术出版社在新中国成立初期不仅海量复制了诸多社内外画家的高品质作品,还组织社内画家进行高水平创作。其批量化的图像生产使美术与民众接触最大化,既普及美术承载的观念,又普及了美术本身。在国土幅员辽阔、新旧文化更替、民众识字率普遍不高的特定时代语境中,人民美术出版社引领了时代美术出版的风尚,完成了国家赋予的美术普及任务。As a national professional art press,the People's Fine Arts Publishing House not only reproduced substantial works of domestic and foreign painters in high-quality in the early days of the founding of PRC but also organized artists in the house to produce new ones at an advanced level.The mass production of images drew art closer to the public,in which让popularized both the concept of art bearing and the art itself In the special context where the country owned a vast territory and population,the old cultures were replacing the new,and the literacy rate of the people was generally low,the People's Fine Arts Publishing House led the fashion trend of the era in the art publishing industry and completed the task of popularizing art designated by the state.

关 键 词：人民美术出版社 新中国成立初期 美术普及 图像生产与复制 

分 类 号：J209[艺术—美术]