战争时期日本文人的矛盾与软弱——以三好十郎的《浮标》为例  

The Contradiction and Weakness of Japanese Literati in War Times: A Case Study of Miyoshi Juro’s Buyi

作　　者：郭惠珍[1] 上野诚 Guo Huizhen;Ueno Makoto(Huaqiao University,China Japanese Literature;Nara University,Japan Japanese Ancient Literature)

机构地区：[1]华侨大学外国语学院 [2]奈良大学文学部

出　　处：《日语学习与研究》2019年第4期103-111,共9页Journal of Japanese Language Study and Research

摘　　要：《浮标》是三好十郎于1939年创作的一部自传式戏剧。虽说是自传式,但作者在剧中改用《万叶集》代替现实中用来缓解妻子病情的吉他,剧末妻子两界徘徊之际,作者为她朗读了十首万叶和歌。本文结合作品的时代背景对这些和歌进行了深入的解读,从三好十郎对万叶和歌与众不同的选择方式,分析出日本文人在当局言论统制下为求生存所暴露出的矛盾与软弱,以及战争给日本文人带来的精神扭曲与身心分裂。The Buyi is an autobiographical play written by Miyoshi J uro in 1939.Although it is an autobiography,in this play,the author used the poetry collection—Manyoshu to replace the guitar which can mitigate his wife's disease in real life.At the end of the play,the author read 10 ManyoWakas for his wife as she wandered between life and death.Based on the background of the work,this paper makes a deep interpretation of these Wakas.And through an analysis of Miyoshi Juro's distinctive ways of selecting Wakas,this paper aims to analyze the contradiction and weakness exposed by Japanese literati for survival under the government's control over freedom of speech,as well as Japanese literati's distorted spirit and split between body and mind brought by wars.

关 键 词：三好十郎 浮标 万叶集 矛盾 软弱 

分 类 号：I20[文学—中国文学]