《列子》“愚公移山”寓言的文化阐释  

Cultural Interpretation of the Allegory "YukongMoving Mountains" in Liezi

作　　者：郑小九[1] ZHENG Xiaojiu(School of Marxism,Henan Polytechnic University,Jiaozuo 454000,Henan)

机构地区：[1]河南理工大学马克思主义学院

出　　处：《济源职业技术学院学报》2019年第3期1-4,21,共5页Journal of Jiyuan Vocational and Technical College

基　　金：教育部哲学社会科学研究重大课题攻关项目(15JZD001)

摘　　要：《列子》“愚公移山”寓言有很高的思想文化含量,是远古神话、道家文化、儒家文化、佛家文化等交融互补的典范。移山神话体现了“人”与“山”的关联、对抗,从中可以捕捉到中华民族精神的萌芽:道家思想构成愚公移山寓言的“底色”,愚公的道家气质主要表现为大智若愚的智慧、天地无私的胸怀、乐观达观的心态、精诚之至的执着等;儒家思想是愚公移山寓言的“主色”,愚公的儒家风格体现在入世姿态、仁爱品德、自强精神等;佛家思想是愚公移山寓言的“配色”,愚公的佛家意味主要是大慈大悲、众生平等、勤勉精进等。The allegory of“YukongMoving Mountains”in Liezi contains a high ideological and cultural content,which is a model of integration of ancient myths,Taoist culture,Confucian culture and Buddhist culture.The myth of“YukongMoving Mountains”embodies the connection and confrontation between“man”and“mountain”from which the germination of the spirit of the Chinese nation can be captured.The Taoist thought constitutes the“background”of the allegory of“YukongMoving Mountains”while his Taoist temperament is mainly manifested in his wisdom of great wisdom has the look of folly,his selfless mind great like heaven and earth,his optimistic attitude and his persistence of dedicating himself to the utmost,and the like.Confucianism is the“essential color”of the allegory of“YukongMoving Mountains”while his Confucian style is embodied in his posture of going into the society,his moral character of benevolence,his spirit of self-improvement and so on.The Buddhist thought is the“matching color”of the allegory of“YukongMoving Mountains”whereas his Buddhist significance is mainly compassion,all living beings being born equal as well as diligence and enhancement.

关 键 词：愚公移山 神话 道家 儒家 佛家 

分 类 号：B2[哲学宗教—中国哲学]