守正创新 通变集成——新中国电影70年的历史与美学  

On the History and Aesthetics of the Films of the People’s Republic of China

作　　者：饶曙光 Rao Shuguang

机构地区：[1]中国文联电影艺术中心 [2]中国电影评论学会

出　　处：《电影艺术》2019年第5期3-11,共9页Film Art

摘　　要：新中国成立70周年以来,中国电影在与时代共振中呈现出迥异的阶段性特征,推动了多元创作范式的生成,形塑了以"守正创新、通变集成"为特征的美学品格和演进趋势。本文借用"范式"的概念,重新审视和系统爬梳70年来中国电影的流变脉络和发展规律,从历史和美学两个层面,观照"十七年"、新时期、新世纪以及新时代四个重要阶段的电影方式,围绕"历史建构及其经验""创新与现代化""改革与通变"和"走向高质量和高峰"等方面,勾勒出70年来中国电影的别样景观。Since the 70th anniversary of the founding of New China,Chinese films have shown distinct stage characteristics in resonance with the times,and promoted the generation of multiple creative paradigms with a differentiated attitude,shaping the aesthetic character and evolutionary trend characterized by"integrity,innovation and flexible integration".Therefore,this paper attempts to re-examine and systematically comb the evolution and development of Chinese films in the past 70 years under the concept of"paradigm".Meanwhile,this paper examines the four important stages of the New China Film Paradigm,the New Period Film Paradigm,the New Century Film Paradigm and the New Era Film Paradigm from the historical and aesthetic levels.To go further,this paper will focus on the themes of"historical construction and its experience","innovation and modernization","reform and transformation"and"toward high quality",in order to outline the special scenery of Chinese films in the past 70 years.

关 键 词：70年 范式 中国电影史 创新 通变 

分 类 号：J90[艺术—电影电视艺术]