中国动画电影的“叙事融入”机制探析  

An Analysis of the Mechanism of “Narrative Immersion” in Chinese Animated Films

作　　者：陈可红[1] Chen Kehong

机构地区：[1]浙江传媒学院

出　　处：《电影艺术》2019年第5期98-103,共6页Film Art

基　　金：（批准号：17FYS011)2017年国家社科基金后期资助项目“中国美术电影叙事研究”的成果

摘　　要：成功的影片叙事能够让观众忘记电影语言和剪接技巧本身,而进入一个封闭的世界,明知是假,却"信"以为真,随故事发展而流连其中,我们称之为"叙事融入"。叙事学可以作为一种有效标尺参与作品自身价值的评论评判。在当代中国动画电影的评价中,"叙事融入"是叙事评价的有效切口。本文从时空、情节和叙述三个方面分析其中"融入"机制的发生过程,探讨叙事学作为一种工具引入影片评价的可能,并从"叙事融入"角度提出中国动画电影叙事调整的策略建议。A successful film narrative can make the audience forget the film language and editing skills, and enter a closed world. They know it is false, but believe it to be true and linger with the development of the story, which is called "narrative immersion". Narratology can be used as an effective yardstick to participate in the evaluation of the works’ own value. In the evaluation of contemporary Chinese animated films, "narrative immersion" is the effective approach of narrative evaluation. This paper analyzes the process of the "immersion" mechanism from three aspects: space-time, plot and narration, explores the possibility of introducing narratology into film evaluation as a tool, and puts forward some strategies and suggestions for narrative adjustment of Chinese animated films from the perspective of "narrative immersion ".

关 键 词：叙事学 叙事融入 中国动画电影 

分 类 号：J95[艺术—电影电视艺术]