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作 者:王友胜[1] 廖婷婷 Wang Yousheng;Liao Tingting(Research Center for Chinese Ancient Literature and Social Culture,Hunan University of Science and Technology,Xiangtan Hunan 411100,China)
出 处:《衡阳师范学院学报》2019年第5期1-7,共7页Journal of Hengyang Normal University
基 金:湖南省哲学社会科学基金项目“清代湖湘文学总集研究”(项目编号:18YBA146)
摘 要:王夫之承袭了有明一代诗坛尊唐抑宋的诗学观,对宋诗的评价基本持否定态度,具体体现在三个层面:以文为诗,混淆文体;以理入诗,泯灭诗情;以学为诗,颠倒源流。王夫之对宋诗的不满既源于他对明末心学末流、竟陵派及摹拟剽窃、诗社彼此党同伐异等不良文风的反思批评,也与其主情与崇古的诗论主张若合符契。Wang Fuzhi inherited the poetic view of respecting poetry in Tang dynasty and suppressing poetry in Song dynasty in the time of Ming Dynasty.He basically held a negative attitude towards the Song poetry,which was embodied in three aspects:writing poem in prose style,confusing literary style;taking reason into poetry,destroying the poetic emotion;writing poetry with knowledge,reversing the origin.Wang Fuzhi s dissatisfaction with Song poetry stems from his reflection and criticism of the philosophy of the mind,the Jingling School,bad styles of writing such as imitating,plagiarizing,allying partners and attacking opponents in the late Ming Dynasty.It also coincides with his poetry theory of thinking highly of emotion and advocating ancient poetry.
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