李大钊对西方“艺术的社会主义”思想的引介  

Li Dazhao’s Introduction to Western "Artistic Socialism"

作　　者：郑立君[1] ZHENG Li-jun(School of Arts,Hangzhou Normal Unitersity,Hangzhou,Zhejiang 310012)

机构地区：[1]杭州师范大学美术学院

出　　处：《艺术百家》2019年第4期27-31,共5页Hundred Schools In Arts

摘　　要：“艺术的社会主义”思想学说产生于19世纪末的英国,主要倡导者是罗斯金和莫里斯,李大钊对其引介主要集中在《阶级竞争与互助》《社会主义与社会运动》和《社会主义释疑》三篇文章中.李大钊对罗斯金和莫里斯进行过较全面研究,尤其对罗斯金倍加推崇,深受其影响,引介目的是介绍不同社会主义思想学说的内容、观点等,以便在中国宣传什么是社会主义和为何要建立社会主义.“艺术的社会主义”思想中有不少积极因素值得借鉴,李大钊对艺术、艺术家、自然美怀有崇敬之心,其从事社会主义活动的理论宣传手段,以及学习和接受马克思科学社会主义的艰苦选择等,都是李大钊引介的原因,而其中之前两者,则应是两项重要的因素.The"artistic socialism"theory originated from the United Kingdom at the end of the 19th century,and it was advocatedby Ruskin and Morris.Li Dazhao's introduction of it was mainly spread in his three articles such as"Socialism and Social Movement".Li Dazhao has conducted a comprehensive study of Ruskin and Morris,especially Ruskin for Li is deeplyinfluenced by him.The purpose of the introduction is to introduce the contents and viewpoints of different socialist ideological doctrines,so as to promote the concept of what socialism is and why it should be established.There are many reasons for Li's introduction:many instructive factors in the"artistic socialism"thought worthy and Li's reverence for art,artists and natural beauty.And his theoretical propaganda means for socialist activities,and learning and accepting the hard choices of Marx's scientific socialism are important factors.

关 键 词：艺术学理论 李大钊 罗斯金 莫里斯 艺术的社会主义 

分 类 号：J0[艺术—艺术理论]