技艺、血缘、信仰：房山石经文献所见辽代幽州石刻刻工家族  

Skill, blood, and faith: the Liao Dynasty Youzhou stone carving family in the literature of Fangshan Shijing

作　　者：管仲乐 Guan Zhongyue

机构地区：[1]华南师范大学历史文化学院

出　　处：《南京艺术学院学报（美术与设计）》2019年第5期20-25,I0002,共7页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：国家社会科学基金重大项目“汉传佛教僧众社会生活史”(项目编号：17ZDA233);北京大学“翁洪武科研原创基金”资助

摘　　要：房山石经中可见诸多刻工题署,辽代最为集中。通过稽考辽刻房山石经,探究出较为显见的家族刻工——吴氏、宫氏、邵氏、韩氏的信息。得出这些家族长期以来承续和发扬的石刻传统,并围绕着以幽州地区为核心的佛教石刻活动,呈现了血缘上的胡汉交融,技艺上的协作配合,社会生活中佛教信仰浓厚三个特点。为幽州地区宗教史及手工业状况的探讨提供了文献资料。There are many engravings in the Fangshan Stone Sutra,and the most in Liao Dynasty.Through the investigation of the Fangshan stonescriptures,we explored the information of the more obviousfamily carvings—Wu,Gong,Shaw, and Han. It is concludedthat these families have long inherited and carried forwardthetradition of stone carving, and around the Buddhist stone carvingactivitiescentered on the Youzhou area, they have presented aharmonious blend of blood and skills, and there are three strongBuddhist beliefs in social life. Features. Literature is provided forthe discussion of the religious history and handicraft status inYouzhou.

关 键 词：房山石经 辽代 幽州 刻工 家族 

分 类 号：J503[艺术—艺术设计]