家国性情两从容——论畏兀儿人贯云石的雅俗文学创作  

The Creation of the Refined and Popular Literature by the Uighur Guanyunshi

作　　者：张艳 ZHANG Yan(Faculty of Arts,Nanyang normal college,Nanyang,Henan,473061)

机构地区：[1]南阳师范学院文史学院

出　　处：《新疆大学学报（哲学社会科学版）》2019年第6期101-107,共7页Journal of Xinjiang University(Philosophy and Social Sciences)

基　　金：国家社会科学基金重大项目“元代各民族文学交融背景下元诗的发展与流变”（18ZDA340）;河南省哲学社会科学规划项目“苏门山文人群与元代诗文发展研究”（2019BWX016）;河南省教育厅人文社科研究项目“文化传承背景下河南高校戏曲鉴赏教学探究”（2019-ZZJH-720）

摘　　要：贯云石是元代文坛泰斗式的传奇人物,诗文词曲兼擅。而今人多以曲家目之,以曲家称之而忽略其为文章家、诗人,是不符合当时文坛实际的。以通观雅俗各种文体的视角来看,贯云石的诗歌与散曲通融之处主要包括:展示大国恢弘气象和盛世文人心态;个人性情的张扬;崇真尚俗的心理以及对西湖的书写。贯云石能够用雅俗不同文体来表现同一题材且游刃有余,这与其家境、追求心性自由等因素是分不开的。Guanyunshi, a legendary figure in the Yuan Dynasty, was good at poetry and lyrics. Now people often call him a creator of Qu(a type of verse for singing, which emerged in the Southern Song and Jin Dynasties and become popular in the Yuan Dynasty) to the neglect of him being a prose writer and a poet, which is not consistent with the actual situation of the literary world at that time. From the perspective of the kinds of style, Guanyunshi’ poetry and verse mainly reveal: the manifestation of the magnificence of the great power and the mentality of scholars in prosperous times, the publicity of personal temperament, the psychology of advocating truth and secularism, and the writings of West Lake. He was good at expressing the same theme with different styles of elegance and vulgarity, which was inseparable from his family background, his pursuit of freedom of mind and other factors.

关 键 词：贯云石 雅俗文学 通融 

分 类 号：I206.2[文学—中国文学]